While the Canadian-bred Cowboy Junkies are known the world over for their slow, brooding and, frankly, depressing north-of-the-border tales, every now and again they catch you off guard by plugging in and cranking up. Margo Timmons' spare vocal style has provided the necessary haunting element for the Junkies throughout their 15-plus year career, while accordion, brushes on the snare, and gently strummed acoustic guitar serve as the backbone of this quartet's dark musical identity. Their eleventh proper album, One Soul Now was released in 2004.
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Toronto, Canada-based musicians Michael Timmins (b. 21 April 1959, Montreal, Canada; guitar) and Alan Anton (b. Alan Alizojvodic, 22 June 1959, Montreal, Canada; bass) formed a band called Hunger Project in 1979. It was not successful and, now basing themselves in the UK, they formed the experimental instrumental outfit, Germinal. Returning to Toronto, they joined forces with Timmins' sister Margo (b. 27 January 1961, Montreal, Canada; vocals) and brother Peter (b. 29 October 1965, Montreal, Canada; drums). As the Cowboy Junkies (which was simply an attention-grabbing name), they recorded their first album, Whites Off Earth Now!!, in a private house. Their second album, The Trinity Session, was made with one microphone in the Church of Holy Trinity, Toronto, for $250. The band's spartan, less-is-more sound captivated listeners and, with little publicity, the second album sold 250,000 copies in North America. The tracks included a curious reinterpretation of "Blue Moon" called "Blue Moon Revisited (Song For Elvis)" and the country standards, "I'm So Lonesome I Could Cry" and "Walkin' After Midnight". Lou Reed praised their version of his song "Sweet Jane", and in 1991, they contributed "To Lay Me Down" to a tribute to the Grateful Dead, Deadicated. Their previous year's album The Caution Horses included several vintage country songs, which, true to form, were performed in their whispered, five miles-per-hour style.
The extent of the Cowboy Junkies' fast-growing reputation was sufficient for them to promote the 1992 album Black Eyed Man at London's Royal Albert Hall. By the release of 1995's Lay It Down, their debut for Geffen Records, the band had firmly settled into such a distinctive style that it was hard to see how they could expand their appeal to reach a wider audience. Critically acclaimed and coltishly adored, the album was recorded to the highest standards. Michael Timmins' understated guitar was very much the lead instrument, with barely a hint of a solo, perfectly complementing Margo Timmins' eerie vocals. Miles From Our Home was too well recorded for some, although there was no denying the quality that permeates everything the band releases.
The live Waltz Across America documented highlights from the 1999/2000 North American tour, and was initially released only on the band's website. The Cowboy Junkies made their recording debut for new label Zoë (an imprint of Rounder Records) with 2001's Open, their best collection of songs since 1993's Pale Sun, Crescent Moon. Their second Zoë release, One Soul Now, followed in summer 2004.