Aimee Mann Tickets

About Aimee Mann

b. 8 September 1960, Richmond, Virginia, USA. Having begun performing with the punk-inspired Young Snakes, Aimee Mann achieved recognition during the mid-80s as the lead vocalist of the critically acclaimed 'Til Tuesday. Frustrated with the industry trying to push a more mainstream approach - and suggesting that writers outside the band should contribute material - Mann left for a solo career in 1990. Released in 1993, Whatever was a remarkable set, drawing rave reviews and the generous plaudits of Elvis Costello, with whom she had previously collaborated on the 'Til Tuesday track, "The Other End (Of The Telescope)". A literate and skilled composer, Mann attacked the corporate music business on "I've Had It" and detailed estrangement and heartbreak on "I Should've Known" and "I Know There's A Word" (allegedly concerning her former relationship with Jules Shear). Former Byrds guitarist Roger McGuinn was persuaded to contribute distinctive 12-string backing on a set reviving pop's traditions of melody and chorus, while placing them in an unquestionably contemporary context.

Imago Records fell apart after Whatever appeared, and after a lengthy battle with the label Mann signed to Geffen Records. 1995's I'm With Stupid still appeared to carry emotional baggage from the Shear relationship, although musically the album was a more mellow and relaxed affair. In 1998, Mann married songwriter Michael Penn, made a walk-on appearance in the Coen brothers' movie The Big Lebowski, and completed the recording of her new album. When Geffen was swallowed up by Interscope, Mann started being pressurized by her new bosses to make the album more commercial. She escaped the corporate clutches of the new Universal empire by buying back the rights to her album and gaining a release from her contract. In 1999, she released the limited edition Bachelor No. 2 EP, a taster for the following year's album of the same name. Nine of her new songs also featured heavily on the soundtrack to Paul Thomas Anderson's Magnolia. Freed from the constraints of a major label, Mann forged ahead with her second album of the new millennium. Opening with the glorious pop rush of "Humpty Dumpty", Lost In Space was another collection of supremely well-crafted adult pop.

And since the last time around she's gotten married - to fellow singer/songwriter Michael Penn, in early 1998 - might this album be just a little sunnier in outlook? "Not at all. Not even a little," she laughs. "I think that getting married and having a happy marriage enables you to actually get work done, rather than being so despondent you just sit in a room for days on end. And he's also a great help in bouncing things off of and getting a good second opinion. It's nice to have another professional musician in the house."

In fact, Mann proposes (no pun intended) that a lot of Bachelor's songs "are about being single, regardless of being married or not. Some of them I had already written or started working on" before settling into matrimony, she points out. "But my relationship with Michael is so unique that there are ways in which I don't really feel like I'm having a relationship, because I've defined 'relationship' as being this sort of unwieldy, nightmarish thing."

The bad dream that is the struggle for love and respect may not be anywhere close to ending in Mann's fiercely independent songs, then, but for fans who've been patiently waiting for this album, the long national nightmare is about to end. Bachelor No. 2, please step up.